If you're a science fiction fan, you've likely heard of "Dune," the epic story by author Frank Herbert, currently undergoing adaptation into a movie series by director Denis Villeneuve. Regarded as one of the most influential works of science fiction, "Dune" has inspired countless creators. But where should you start in this rich universe? My answer is simple: begin with the first book, "Dune," published in 1965.
However, not all "Dune" books are equal. Herbert wrote six "Dune" books before his death in 1986, and his son Brian Herbert, along with author Kevin J. Anderson, wrote several sequels and spinoffs. In this article, I'll share my personal ranking of the original six "Dune" books by Frank Herbert, deeming the final book, "Chapterhouse: Dune," as the weakest.
The book suffers from a lack of focus, a slow pace, and a disappointing ending, leaving many questions unanswered. It follows the Bene Gesserit, a powerful order of women, as they face attacks from the Honored Matres, a violent faction of former Bene Gesserit. While introducing intriguing concepts, the book fails to provide a satisfying conclusion to the saga of the desert planet Arrakis and its mysterious spice melange.
"Chapterhouse: Dune" picks up from where "Heretics of Dune" left off, with the Bene Gesserit facing threats from the Honored Matres. The narrative unfolds through various characters, including Darwi Odrade, the new Mother Superior, Duncan Idaho, Sheeana, and Miles Teg. The book explores philosophical and religious themes, raising questions about humanity, free will, evolution, and transcendence. Unfortunately, Herbert's death left the series with a cliffhanger ending and unresolved plotlines.
Despite its shortcomings, "Chapterhouse: Dune" deserves a read for its captivating exploration of a rich and complex universe. It challenges readers and raises important questions about society and our place in the cosmos. Herbert's vision and creativity shine through, even in a book that falls short of expectations.
As Herbert wrote in the introduction, "Think you of the fact that a deaf person cannot hear. Then, what deafness may we not all possess? What senses do we lack that we cannot see and cannot hear another world all around us?"
While some fans dislike the cliffhanger ending, I find it fitting within the context of the overarching story. The open-ended resolution aligns with the vast timespan covered by the six original "Dune" books. For me, it provided satisfaction, offering resolution with a touch of life's unanswered questions.